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Horses, or To Love a Woman

by Katherine MacCue  

I was never drawn
to horses the way
the other girls

were. My desires
never took the form
of a deep plunge into

soft brown from
the head – or even
the elongated middle –

no different to me
than the stomach
of a pig or a dog.

I used to pull at the
pants of a boy I liked
in grade school.

He yelled stop
with such desperation,

it made me feel

predatory in instinct,
not prey – the fallback
position for girls –

more schoolboy
than shrinking violet,
more stallion from

a book I had read
than the ones I sat
on at the local farm,

their oblong heads
hanging over the rim
of fences to eat apples

and then perhaps a carrot.
When I was eighteen
I fell in love with a girl.

She just sprouted,
one day, like a flower
in front of me, emerging

from mousy bud
into ripened rose flesh
petals. I wanted to give

her my hands, soft
touches the way a flower
might bloom: a slow

spreading out, then
bursting forth. I wanted
to give her this because

she was so beautiful,
and, yet, that was why
I was told I couldn't.

I never spoke words
to her again, stepping
over the forlorn glances

across a sidewalk
like trampled florets.
If you want to talk

about horses, then
I'd say I have straddled
two separate kinds, two

distinct forms of desire,
neither of which were
considered acceptable.

What I mean to say is,
the horses were never
symbols of sexual desire

to me, not until I grew
up and saw the chains
around their necks.

Originally published in Stone Highway Review, Spring 2012

By Katherine MacCue

Katherine MacCue is a Pushcart Prize nominated poet living in New York who feels she's left pieces of herself on benches beneath the cherry blossoms of Washington, D.C, in a small abbey with great acoustics in Bourgogne, France, and in the countryside of County Cork, Ireland. Her poetry has been published in various journals including Stone Highway Review and is forthcoming in decomP magazinE and Apeiron Review. She writes with the hope that her work will inspire or move someone, perhaps just one person, the way she was moved by Louise Glück when she called out, “You who do not remember passage from the other world I tell you I could speak again: whatever returns from oblivion returns to find a voice...” If you're interested in learning more about Katherine, you can do so at TheNearlyFamous.blogspot.com. Her e-mail address: